Images of 100,000 Artworks From Paris Museum Collections.

The book is the second of four exploring the art of the French photographer Eugene Atget. Support for The Work of Atget volumes has been generously provided by Springs Industries, Inc.. inviting readers to follow in the steps of Atget and Rauschenberg. Essays by Clark Worswick and Alison Nordstrom give insight into Atget's life and situate.

Berenice Abbott is remembered as one of the most independent, determined and respected photographers of the twentieth century. She was born in Springfield, Ohio on July 17,1898. Abbott recounted a lonely, unhappy childhood. However, later in life, she attributed her strong characteristics of self-reliance, determination and independence to her.

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Mary Ellen Mark befriended these youngsters and produced an award-nominee, and emotional still series on kids in 1988 named as “StreetWise”. The strongest images are of a 14-year-old girl, Erin or “Tiny”. Her stills are soulful, an unsmiling kid lost in the depths of fear, pain and discomfort.

Thematic Essays. Photography as a Weapon Errol Morris on photography and deception. Whose Father Was He? Morris on photography as a means of identification. What's So Strange about Trump's White House Portrait? Experts Explain. Vox analysis of oddities in presidential portraiture. Shows. Images of African-Americans from the Nineteenth Century.

Penn’s nudes build on Edward Weston’s work—more abstract than his predecessor’s but also more flowingly sensual. As Hambourg writes in one of the catalog essays, “Although (Penn) began.

Stephen Shore. Merced River, Yosemite National Park, California, August 13, 1979. In 1982, a slender yet hugely impressive version of Uncommon Places was released. Its impact was felt almost immediately, forever changing the course of art photography, and securing Stephen Shore a place within the canon of photographic history.

Introduction. Over the last decade or so, criminologists have become increasingly concerned with the visual—as images of crime, harm and punishment proliferate across new and old media, there is a growing recognition that criminology needs to rethink its relations with the ascendant power of spectacle.

Murder in Black and White: Victorian Crime Scenes and the Ripper Photographs. Through a close analysis of the few Ripper photographs that still survive, I seek to recover the representational.